【賀】薛惠月老師、朱賢哲老師、楊朝明老師指導學生參加「2025 DNA Paris Design Awards」榮獲3件Winner、1件「Honorable Mention」！

【Congratulations】Prof.  Hui-Yueh Hsieh, Hsien-Che Chu, and Chao-Ming Yang guided the Class of 2025 graduation projects to outstanding success at the 2025 DNA Paris Design Awards, earning three “Winner” awards and one “Honorable Mention”

【獲獎事蹟】[Achievement]

• 作品：餘鱗

• 創作者：黃翊瑄、黃子寧、簡芊羽、魏翊樺

• 指導老師：朱賢哲、楊朝明 老師

• 「2025 DNA Paris Design Awards」榮獲 「Graphic Design/Key art (Posters, covers, illustration) (平面設計／主視覺設計（海報、封面、插畫）類) - Winner」

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• Work: Remnant Scale

• Creators: Yi-Hsuan Huang, Tzu-Ning Huang, Chien-Yu Chien, Yi-Hua Wei

• Supervising Teacher: Prof. Hsien-Che Chu, Chao-Ming Yang

• Participate:  "2025 DNA Paris Design Awards" and won the "Graphic Design / Key Art (Posters, Covers, Illustration)" – Winner.

 

【獲獎作品】[Award-Winning Work] (點擊圖片即可查看得獎資訊)

【設計理念】【Design concept】

透過微觀視角探索瀕危魚類的魚鱗紋理，發掘其文化歷史與環境變遷的關聯性。並運用魚鱗獨特的視覺符號轉譯這些消逝的物種，喚起大眾對生態議題的關注。本研究不僅回應聯合國永續發展目標 (SDGs) 第 15 項「陸域生態保育」，希望藉由設計的力量，讓微小卻珍貴的生命故事得以被看見，引發對未來環境保護的深刻反思。

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Through a microscopic perspective, this project explores the scale patterns of endangered fish species, uncovering their connections to cultural history and environmental change. By translating the unique visual language of fish scales, it reimagines these vanishing species to raise public awareness of ecological issues. Aligned with the United Nations Sustainable Development Goal (SDG) 15: Life on Land, the work harnesses the power of design to bring attention to small yet precious life stories, inspiring deeper reflection on the future of environmental conservation.

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【獲獎事蹟】[Achievement]

• 作品：心的形狀

• 創作者：連柏瑜、方芷萱、蔡鎧亦、劉芝函

• 指導老師：薛惠月 老師

• 2025 DNA Paris Design Awards」榮獲 「Product Design/Experimental Design (產品設計／實驗設計類) - Winner」

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• Work: Shape of Love

• Creators: Po-Yu Lien, Chih-Hsuan Fang, Kai-Yi Tsai, Chih-Han Liu

• Supervising Teacher: Prof. Hui-Yueh Hsieh

• Participate:  "2025 DNA Paris Design Awards" and won the "Product Design / Experimental Design" – Winner

 

【獲獎作品】[Award-Winning Work] (點擊圖片即可查看得獎資訊)

【設計理念】【Design concept】

透過問卷調查收集愛與壓力的主觀敘述，轉化為視覺作品並彙編成心相集冊，以戒指象徵愛的傳遞，麻將遊戲和刮痧板隱喻身心壓力，藉此探討感受如何形塑我們對世界的理解與人際連結。

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Through a questionnaire, subjective narratives of love and stress were collected and transformed into visual works, compiled into a Heart Image Collection. The ring symbolizes the transmission of love, while mahjong and gua sha tools metaphorically represent physical and emotional stress. This project explores how our feelings shape our understanding of the world and our connections with others.

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【獲獎事蹟】[Achievement]

• 作品：滾

• 創作者：羅于庭、徐純鳳、李韋妮、吳大川

• 指導老師：薛惠月 老師

• 「2025 DNA Paris Design Awards」榮獲 「Graphic Design/Branding (平面設計／品牌設計類) - Winner」

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• Work: ROLL

• Creators:Yu-Ting Lo，Chun-Feng Hsu，Wei-Ni Lee，Ta-Chuan Wu

• Supervising Teacher: Prof. Hui-Yueh Hsieh

• Participate:  "2025 DNA Paris Design Awards" and won the "Graphic Design / Branding" – Winner

 

【獲獎作品】[Award-Winning Work] (點擊圖片即可查看得獎資訊)

【設計理念】【Design concept】

滾，動;不滾不動。萬物皆滾。
本畢展主視覺透過各設計物，以標準字「滾」轉動角度來切換中英文及轉化圖像，展現滾的變化與動態，象徵畢業生無限延展的創造力與可能性。

萬物皆滾
將滾的概念與形式融入海報與其他製作物當中，以任意滾動創造不同的觀看角度，呼應主旨中不斷變化、滾動的意涵，也賦予其跟觀者間互動的意義。

實驗性 / 趣味性
將萬物皆滾的概念套用至各項周邊製作，不同的項目各自擁有不同形式的滾，使整體具有實驗性的同時添加趣味性。

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Roll, Move; No Roll, No Move. Everything Rolls.

The main visual identity of this graduation exhibition centers around the character 「滾」 (roll). By rotating and transforming this standard character, it shifts between Chinese, English, and graphic interpretations—showcasing the dynamic essence and evolving form of "rolling." This symbolizes the graduates’ boundless creativity and limitless potential.

Everything Rolls
The concept and form of “rolling” are embedded into posters and other materials. Viewers are encouraged to engage with the works by physically or visually rotating them, creating varied perspectives. This reflects the ever-changing, rolling nature of the theme and introduces a layer of interactivity between the work and the audience.

Experimental / Playful
The idea that “everything rolls” is applied across various exhibition items, each expressing the concept through different rolling forms. This approach not only adds an experimental dimension but also infuses the entire project with a sense of playfulness.

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【獲獎事蹟】[Achievement]

• 作品：放大檢塑

• 創作者：王梓瑜、邱乙真、蘇郁涵、龔冠華

• 指導老師：薛惠月 老師

• 「2025 DNA Paris Design Awards」榮獲 「Honorable Mention」

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• Work: Zoom into Plastic

• Creators:Tzu-Yu Wang，Yi-Chen Chiu，Yu-Han Su，Kuan-Hua Kung

• Supervising Teacher: Prof. Hui-Yueh Hsieh

• Participate:  "2025 DNA Paris Design Awards" and won an "Honorable Mention"

 

【獲獎作品】[Award-Winning Work] (點擊圖片即可查看得獎資訊)

【設計理念】【Design concept】

一次性塑膠因透明特性，常被忽視，大量使用、快速丟棄，成為難以解決的廢棄物問題。

此設計以粉紅色生物塑膠為媒介，重現平板塑膠容器與包材的紋理，使被忽視的垃圾轉化為引人注意的設計元素，也喚起人們對塑膠污染的反思。

生物塑膠可多次循環使用，最終自然降解，實現良性循環，讓日常物件在美感、實用與永續之間找到平衡。

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Due to its transparency, single-use plastic is often overlooked—used in large quantities and quickly discarded—resulting in a persistent and challenging waste problem.

This design uses pink bioplastic as a medium to recreate the textures of flat plastic containers and packaging. By transforming overlooked waste into striking design elements, it draws attention and prompts reflection on plastic pollution.

Bioplastic can be reused multiple times and eventually biodegrades, enabling a sustainable cycle. It allows everyday objects to strike a balance between aesthetics, functionality, and sustainability.